Christian’s interest in photography started with a trip to Lofoten in 2016. He brought a GoPro which changed everything, and the rest is history, he recalls. From the beginning, some of his favorite scenes to photograph are mountainous and moody landscapes and deep fjords. Living in Norway is the perfect backdrop for his photography, but one of his dreams is to visit the pristine landscapes of Greenland.
Of the many exciting and interesting projects that Christian has had the opportunity to work on over the years, one of his most memorable collaborations was with Hattvika Lodge, widforss.no, and Lundhags in Lofoten. “Shooting content in Lofoten is something else – what a place!”
In terms of photo gear, Christian uses the Nikon Z6 with the Nikon Z 24-70mm f/2.8 lens. He feels that this lens gives him the range that he needs, and he likes that it’s lightweight. In addition, Christian has a 70-200mm lens which he tends to use for animals. As for editing, he edits all his photos with his own presets in Lightroom.
Christian’s interest in photography started with a trip to Lofoten in 2016. He brought a GoPro which changed everything, and the rest is history, he recalls. From the beginning, some of his favorite scenes to photograph are mountainous and moody landscapes and deep fjords. Living in Norway is the perfect backdrop for his photography, but one of his dreams is to visit the pristine landscapes of Greenland.
Of the many exciting and interesting projects that Christian has had the opportunity to work on over the years, one of his most memorable collaborations was with Hattvika Lodge, widforss.no, and Lundhags in Lofoten. “Shooting content in Lofoten is something else – what a place!”
In terms of photo gear, Christian uses the Nikon Z6 with the Nikon Z 24-70mm f/2.8 lens. He feels that this lens gives him the range that he needs, and he likes that it’s lightweight. In addition, Christian has a 70-200mm lens which he tends to use for animals. As for editing, he edits all his photos with his own presets in Lightroom.
